Movies

Tom Cruise’s Digger Flops, Nolan’s The Odyssey Returns to IMAX Screens

Tom Cruise’s Digger underperforms at the box office, prompting IMAX theatres to bring back Christopher Nolan’s record-breaking The Odyssey for renewed screenings.

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Dumtika Editorial

October 8, 2026 · 1 min read

Tom Cruise’s Digger Flops, Nolan’s The Odyssey Returns to IMAX Screens

(Image: Dumtika Editorial)

Key Highlights

  • Tom Cruise’s Digger earns just $8 million in its opening weekend.
  • Digger’s IMAX shows are replaced by Christopher Nolan’s The Odyssey.
  • The Odyssey holds the IMAX box-office record with over $540 million.
  • The Odyssey’s global earnings reach $1.76 billion, highest for an R-rated film.

Tom Cruise’s latest film, Digger, directed by Oscar-winner Alejandro González Iñárritu, has faced a significant setback at the box office. Known for his blockbuster track record, Cruise’s collaboration with Iñárritu was highly anticipated, but the satirical black comedy struggled to connect with audiences. Despite being filmed for IMAX and receiving a wide release, Digger’s opening weekend earnings fell far below expectations. Initial projections for the film ranged between $12 million and $15 million, but the final domestic total settled at just $8 million, according to industry reports.

The disappointing performance has led to a swift change in IMAX programming. Digger’s IMAX slots are now being replaced by Christopher Nolan’s The Odyssey, a film that previously dominated the global box office. The Odyssey is notable for holding the all-time record for IMAX earnings, with over $540 million generated from IMAX screenings alone. Its worldwide gross stands at $1.76 billion, making it the highest-earning R-rated film in history.

The decision to bring The Odyssey back to IMAX screens comes as exhibitors look to attract larger audiences following Digger’s underwhelming turnout. The Odyssey’s proven popularity and box-office strength offer a reliable draw for theatres looking to recover from recent losses. As of now, there is no indication of a turnaround for Digger, and the focus has shifted back to Nolan’s blockbuster, which continues to set benchmarks in theatrical exhibition.