Mythri Movie Makers Sets Netflix Record with Irumudi and Modha Rathri
Mythri Movie Makers made history as Irumudi and Modha Rathri became the top two Non-English films globally on Netflix, marking a first for an Indian production house.
Dumtika Editorial
October 8, 2026 · 1 min read

(Image: Dumtika Editorial)
Key Highlights
- Irumudi and Modha Rathri top Netflix’s global Non-English film charts.
- Mythri Movie Makers is the first Indian banner to achieve this feat.
- Netflix India hosted a celebration for the production house and film teams.
- Social media buzz highlights Telugu cinema’s growing global influence.
Streaming on: Netflix
Mythri Movie Makers has achieved a remarkable milestone with their recent releases, Irumudi and Modha Rathri, both of which have dominated Netflix’s global Non-English film charts. Irumudi, which arrived with strong expectations and quickly became a generational blockbuster, and Modha Rathri, a sleeper hit, have now made history by securing the top two spots worldwide on the streaming platform.
The production house, known for its consistent success, was recently celebrated by the Netflix India team. The event brought together Mythri Movie Makers and the teams behind both films to mark this unprecedented achievement. According to a post from Mythri Movie Makers, "For the first time ever, two films from the same banner, #Irumudi and #ModhaRathri, have simultaneously emerged as the Top 2 Non-English Films Globally on Netflix charts." The banner expressed pride in the global love both films have received, highlighting the universal appeal of stories that transcend language and borders.
Social media has been abuzz with congratulatory messages, as fans and industry peers recognize the significance of this feat. The celebration underscores the growing influence of Telugu cinema on international streaming platforms, with both Irumudi and Modha Rathri setting new benchmarks for Indian content on Netflix.
This historic accomplishment not only cements Mythri Movie Makers’ reputation for delivering quality films but also showcases the increasing appetite for regional cinema among global audiences.


