Isakapatnam, a Telugu crime series set in 1980s Andhra Pradesh, boasts solid performances but suffers from predictable writing and underdeveloped characters.

(Image: Dumtika Editorial)
After making his mark as an editor, Garry BH debuts as director with 'Isakapatnam', following his acclaimed editing work in Telugu thrillers. Samuthirakani, known for his intense roles in Telugu and Tamil cinema, returns after recent supporting turns to play a lead. Aishwarya Rajesh, fresh from a series of strong performances, takes on a challenging, dual-shaded role. Expectations were high for a gritty period drama set in Andhra Pradesh, blending crime and family intrigue.
Will director Garry BH make a successful transition to direction? Does Samuthirakani anchor the series with his presence? Is Aishwarya Rajesh convincing in a complex, layered character? Does the series add something fresh to Telugu gangster dramas? Let's figure it out with a detailed analysis.
Set in the fictional port town of Isakapatnam during the 1980s-90s, the series follows Naidu (Samuthirakani), who rises from obscurity to dominate the region through a blend of politics, crime, and commerce. His iron grip is threatened by his daughter Bharathi (Aishwarya Rajesh), who opposes his ways. As rivals like Prathap Varma (Ravi Varma) circle, the town becomes a battleground for power, family loyalty, and betrayal.
Samuthirakani (Naidu) is convincing as the power-hungry patriarch, capturing both menace and vulnerability. Aishwarya Rajesh (Bharathi) handles her conflicted character deftly, though her arc feels underexplored. Naresh Agastya impresses in his supporting role, while Sunil is unfortunately wasted in a one-dimensional part. Jwala Koti and Sudhakar Komakula bring authenticity to the ensemble, though some roles remain thinly written.
Praveen Lakkaraju’s music and background score are adequate but lack memorable motifs. Vamsi Patchipulusu’s cinematography effectively captures the gritty, shadowy world of 1980s Andhra Pradesh. Editing by Garry BH keeps the pacing brisk, though the series misses impactful high points.
Isakapatnam tries to echo the grand gangster sagas of Telugu cinema, but the writing by Prashant Ragathi doesn’t quite rise to the occasion. The series introduces a promising world but fails to develop its characters beyond surface-level motivations. The power struggle at the heart of the show recalls classics like 'Prasthanam', yet the emotional stakes and narrative tension remain muted. Garry BH shows promise in visual storytelling, but the screenplay doesn’t deliver the standout moments or dramatic payoffs needed for a memorable crime drama. For fans of Telugu period thrillers, Isakapatnam offers solid performances and style, but falls short in substance.
"Gritty Setup, Underwhelming Execution" Rating – 2.8/5